swazy*: Pop Music to Blow Your Windows Out.

swazy* is someone that we’ve been waiting to show off. His music is undeniably progressive and creative with an arsenal of left-field sound design and catchy progressions. From some of the hardest bass that ears can find to the creative vocal processing, swazy* has knocked song after song out of the park with his own style. His newest 5-track EP “Caged” is no exception and might be his strongest songs to date. 

Each song has a well developed vision and sound, from the breakbeat, fast, and DnB-influenced pop hit, that is “Let Me Out”, to the dreamy and experimental “Lost It All”. With themes of suicide and self doubt, swazy* does his very best at portraying the idea of being a bird trapped in a cage. Ready to fly and climb to newer heights but confined to the box or the world around him. swazy* as well as his collaborators, have proven time and time again that their sound is fresh and hard. Moments like what you get from “Lost It All” is proof enough that swazy* is a true artist, fine tuning the exact sound he wants from a track. Then to turn around the next song and end the album with such a different sound, on “In This World”. Taking a triumphant sound and having such a time of reflection and self-doubt reflected in the lyrical content is such a powerful way to close out such a short but, sweet EP. It makes us really anxious to see what the future holds for swazy* and more excited to hear what he has to say next. This is something we would definitely recommend to anyone and will look back on when we think of music from 2022.

A Conversation With cybertrash

written and edited by Manav “Ocho” Manocha

A closer look at cybertrash

Despite a discography sporting only four official releases on major streaming platforms, it is now safe to say Atlanta’s latest budding talent has skin in the game. The “once-hyperpop darling” was turning heads last year with singles like “west” and “u can stop” as publications like Lyrical Lemonade and Early Rising began to take notice, when he seemingly vanished from the scene.

Having been previously described as enigmatic (and not for the wrong reasons!), it was difficult to know where he had gone or what lay in store for the then-19 year-old musician. Now, after nearly a year since his last official release, cybertrash has finally made his return with the double release of “play pretend” and “REDEYE - demo” this past Wednesday.

It isn’t hard to believe cybertrash’s growing prominence in the modern Internet scene. After all, the 20 year-old has previously been in leagues with now-established artists and producers like ericdoa and Glasear, and currently represents a household name in the underground as one of the newest members of GORE:SET, a burgeoning collective of growing stars and hungry hopefuls who have been on the radar for some time now.

Neither is it uncommon for an emerging musician to be relatively unknown or have an aura of mystery - the underground’s Internet age is no stranger to this narrative.

No, what is truly surprising is the span of time over which all of this has happened for Daniel. Four songs in two years time is nearly unheard of for an artist making waves like this - not to mention that maybe only two of these tracks truly speak to his raw potential; both of which were released last year.

While it may strike some as a lack of direction, for me, cybertrash’s already-polished sound and simultaneous versatility paints the picture of a passionate and capable young artist with a fatal obsession for honing their craft. Even with just half of his discography, it’s clear that cybertrash is highly cognizant of their capabilities and possesses the right intuition and drive to push past his own limits. 

With all the makings of a star, “play pretend” signifies a turning point in cybertrash’s career. Not only has Daniel returned as a more mature musician with a reignited sense of purpose, he is now surrounded by new peers and influences that have all combined to propel his career to the next level. 

Evocative and eclectic, cybertrash’s return to form sees a tasteful and brilliant mesh of indie rock and future pop reminiscent of contemporaries in the underground like ericdoa and others who paved the way before him. Daniel effortlessly demonstrates his impressive vocal range while the production remains intentionally rough around the edges at times, giving a sense of grittiness to the song that can be contradictorily described as crispy. If anything, “play pretend” provides a logical next step in his career, as cybertrash poises himself to be the Internet’s next posterboy. 

This sense of certainty I had for Daniel’s career, even given his previously enigmatic nature, was only further enforced after I got a chance to interview him (his first ever!) this past week and was provided a closer insight into the person behind the “mysterious” online persona - one that I believe everyone deserves to see for themselves.

When and how were you introduced to the hyperpop and digicore community?

I didn’t even know hyperpop (as a community) was a thing until I reconnected with John (AKA Glasear) and he introduced me to Eric (AKA ericdoa) & Kim (AKA youngkimj), to be honest. This was back in like, late 2020, I think. I remember not even making an attempt to join, because of how scary it all seemed to me [laughs].

At what point did you come into contact with your closest and most frequent collaborators today?

I literally met all of them like 3 months ago. Literally February 2022. But it’s felt like 6 years - I love them all so much.

How and when did you meet Eric and the rest of the DOA crew (i.e., glasear, zetra, etc.)?

I met Glasear my sophomore year of highschool. We had a mutual friend connect us because we both made music. He would come over to my place and we’d fuck up some spicy Shin Ramyun and we’d try to make music together, but I was like extremely picky with my beats, so we never made anything [laughs]. He was extremely ahead of his time though. I eventually quit making music, but in 2020 he invited me over to their crib to introduce me to his roommates and stuff, and that’s how I met Eric. Through them I’ve met & spoke to some pretty amazing people and I love them so much. They’ve done more for me than they know; one of my managers found me through Eric - so it’s like, all crazy. I don’t know. Love them. 

People commonly comment on similarities between you and Eric vocally and physically - how does that make you feel?

Bruh.

How and when did you come into contact with GORE:SET and how has your relationship with the collective grown over time?

It’s a weird story. Basically, vaeo was scrolling through TikTok and came across one of my posts, and really liked my music. So they hit me up like, “OMG you have to be kidding me, you’re so crazy”, etc. It turned out we had some mutuals, and lived in the same state, so it was like an “Oh shit!” moment and we were both like, “OK, maybe I’ll see you around”. Then I ran into them a few days later at a local show. This is gonna probably sound corny or like some WattPad shit, but the connection was IMMEDIATE. They invited me to the GORE:SET Discord server, and one night they gave me the courage to join voice chat with them and a few other people where they just so happened to be recording a cypher. vaeo asked me to be on it, I recorded my verse, rouri404 heard it, and then somehow I was just like, a part of the collective, all in the same night. It was all really quick. That was all in February, but in the time that’s passed, these people have grown on me like a fungus. It’s disgusting. I can’t escape them. I love them with all my heart and they’re all so talented bruh.  It feels like luck -  like, I don’t know; I feel so lucky. 

Having the opportunity to work alongside such talented and established artists as well as hungry and budding young artists in collectives, what do you try to take away the most from your peers? How do your closest friends and collaborators influence your music and your mindset?

They’re all freaks. It’s disgusting how talented & driven they are. I’ve gained insane amounts of insight and perspective just from being around them and talking to them. They also make me wanna go above and beyond with everything I do - not only with music, but in every aspect. I hope I’m able to give them heaven on Earth within my lifetime. 

I understand if this is a little vague and hard to answer, but could you try to tell me about your personal approach to your craft and music in general? 

I honestly do not know. I wish it was more of a conscious process, but it’s mostly just me opening up FL Studio and pressing random buttons like a little caveman. I genuinely have close to no idea what I’m doing most of the time [laughs]. Generally though, I just try to make what I’d wanna listen to, otherwise it doesn’t really feel all that good. 

You’ve been previously described as enigmatic by other publications, and from the research I’ve done, there isn’t much widely available information about you as a person or artist. What’s one thing you would like new listeners and fans to know about you?

I dunno; I’m just like you bruh. I’m gassy.

On the contrary, what do you hope your music will say about yourself?

I have no idea. I just hope it sounds like I know what I’m doing.

What were your direct influences for “play pretend”?

I’m not sure - probably every indie song I’ve ever heard in my life. I was also obsessed with Dominic Fike around the time I made it [laughs]. 

What does this song mean to you personally and what do you hope it will mean to your listeners?

Its substance doesn’t really mean much to me, but it really signified a turning point in my approach to music. I feel like, for the first time, I made a song that would probably be my favorite song, whether I had made it or not - y’know? It paints really personal and pretty pictures in my head whenever I listen to it. And it reminds me of some of the most bittersweet times in my life, sonically. 

What does this single mean for your career and growth as an artist?

I don’t really know. As corny as it sounds, I’m hoping it’s the start of a long and fruitful ride. Like a rollercoaster.

How did it feel to hear Aries’ reaction to “play pretend”?

I’m going to be very honest. I don’t listen to Aries’ music, but he seems like a chill guy. I used to watch his videos when I was a sophomore though, so I guess it was pretty cool. Shoutout to Aries

Dream blunt rotation?

Amy Winehouse, Chrysippus, and sudbath

written and edited by Manav “Ocho” Manocha

Kidd Adamz: Kidz Bop Sounds a Whole Lot Different Now a Days.

Kidd Adamz is an artist we recently came across. We instantly fell in love with his blend sounds and the versatility in his raps. For example, “Live Life” is a track that takes on almost a dancehall sound with flows to match and then instantly flows into “Backstreet Boy” which; has a more traditional trap sound to it. That being said, every track on this 5-track tape, will get you grooving all by yourself. With hard bass-lines and infectious rhythms, this whole album is undoubtably something to turn up with. Our favorite track would have to be “Get Real or Sum” because the hook as well as, the verses; stay catchy and ride the beat perfectly. If you do sit down with this record then just be ready for flow after flow because Kidd Adamz switches his flows like clothes. As far as the instrumentation goes, expect a spacious almost “out of this world sound” with his ambiguous synth patches and reverse pads. We cannot recommend Kidd Adamz enough to any die hard hip-hop fans.

Otto Meech: Exploring More Sounds and Sounding Great Doing It.

Otto Meech is someone we have always kept up with since the first time we heard his music. Otto has always had some interesting production and bars but, with his newest 5-Track EP, “Dart22”. This EP is a quick listen with a runtime of only 11 minutes. It’s perfect though because, this tape is not meant to be single after single. Each and every song is another piece of the puzzle as the seamlessly bleed into one another. No one section over stays it’s welcome and the song before and after show great intention when building this project. You have got to appreciate when an artist puts in the extra work to make a project like “Dart22”. Not only are the instrumentals and bars spot on but each and every song has it’s spot. Our favorite tracks have got to be the more bubbly and experimental sounds inside of “Progression” and “On a Mission”. This is a sound I wasn’t expecting from the DartMan. Usually Otto is going as crazy and loud as possible but, these wo tracks almost of a Psych Hop sound to them. By using slow melodies and bubbly synth sounds, “On a Mission” comes out so washed out and wavy that you almost feel intoxicated. Once again we are telling you to listen to Otto Meech because if anyone deserves the extra support, it’s Otto.